I’m processing a Phyllite metamorphic Precambrian from the Bay of Fundy Coast, making a test cone 10 high fire pottery clay. Suspect rock from coastal Bay of Fundy looks mafic, thought to be derived from a volcanic ash fall. Built stamp and a ball mill process equipment. Working toward a mix with Sussex NB area Cretaceous porcelain. Combining Nova Scotia sourced fireclay.

phyllite milled rock noodle bowl, Sussex dug porcelain, NS fireclay, drying outside

MichealWood, the guy with the biggest smile in NB – invited me to the Dieppe Cultural center to play with his newly formulated glazes made from local rock materials. Of course I was happy to go, played music at the opening. For me, this is the end mark for what I wanted to do in NB ceramics.

I wanted to encourage potters and artists to work our natural resources, reduce our carbon footprint, make our ceramics economically sustainable by birthing a local industry on what I brought over from my mineral prospecting days. Actually, Andrew at NU pottery stood up and did this, bless his heart, referencing an Ax conference at Sussex I may have inspired, with extreme help from Peter Powning, Ax staff, Liz Demerson to name just a few.

So I’m thinking to end my pottery days here – but I still haven’t built the Onggi kick wheel, the wood fired kiln, the rocket kiln, or parted with my rock hammer… yet.

Fired cone 10, natural rock glazes, showing the parent rock